BILL: Paul! Great to have you here.
PAUL: It’s great to be had.
BILL: You mean like… “fooled?”
PAUL: Never mind.
BILL: OK, so what was it like being a member of The Beatles?
PAUL: Can you narrow that down a bit?
BILL: What was it like being a Beatle?
PAUL: Well, it had its highs and lows.
BILL: Lot of highs from what producer George Martin had to say.
PAUL: To quote Schultz from Hogan’s Heroes: “Jolly joke.”
BILL: Thanks. I thought so. So let me ask you: What was your favorite Beatles album?
PAUL: “Let It Be.”
BILL: And why is that?
PAUL: Because it was the last one.
BILL: Things were that bad near the end, were they?
PAUL: Let’s just say I was glad when it was all over.
BILL: You know, I have to say, my favorite Beatles song is “The Long and Winding Road” which you wrote and sang, but which was altered quite a bit by Phil Spector. Much to your disappointment.
PAUL: The strings, harps and horns, you mean?
BILL: Yeah, I love that arrangement.
PAUL: Well, you’re an idiot.
BILL: (laughing) Who would ever think that a guy who stuffed a gun into a woman’s mouth and blew her head off could write such beautiful music?
PAUL: Who would ever think “The Catcher In the Rye” could inspire someone to shoot John?
BILL: I remember having to read that in high school and wanting to shoot myself. Does that count?
PAUL: How did you get this bloody gig?
BILL: Change up! What was your reaction the first time you heard Yoko Ono sing?
PAUL: Is that what you’re calling it then?
BUILL: Ouch! Seriously though.
PAUL: Honestly? It sounded like an owl being tortured. It sounded like… like…
BILL: Like a blackbird singing in the dead of night?
PAUL: Like a blackbird being tortured in the dead of night.
BILL: You and John had a peculiar songwriting credit method in that you shared credit despite each of you frequently writing songs separately.
PAUL: I often get asked about this and here’s a good hint: When I’m singing the lead that tends to indicate that it was a song that I wrote. When John was singing that was probably a song that he mostly wrote.
BILL: And what about when Ringo was singing?
PAUL: That usually meant that John and I had been drinking.
BILL: Well, that explains “Octopus’s Garden.”
PAUL: Actually Ringo wrote that, though if I recall he was quite pissed at the time. Me mum rather fancied that one.
BILL: Well, she’s an idiot.
PAUL: She was actually. Dumb as a post really.
BILL: I noticed George Harrison creatively has done, like… nothing for years now.
PAUL: That’s probably because he died over ten years ago.
BILL: He did??
PAUL: Good Christ, I’m going to kill my publicist.
BILL: Wow. John is dead. George is dead. Your wife Linda is dead. Now you’re going to kill your publicist. Granted, it’s a track on Charles Manson’s favorite Beatles album, but are you sure it wasn’t you and not John who wrote “Happiness is a Warm Gun?”
PAUL: That’s a low blow, mate.
BILL: Speaking of low blows, got any good groupie stories for me?
PAUL: You’re an idiot…
(McCartney leaves.)
BILL
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